Combining Digital and Traditional

As experimental development, I used my own primary source imagery combined with illustrations to create new ideas and themes. These have been heavily manipulated in Photoshop so the quality may not necessarily be there although these could be used as reference to create new illustrations.

Here I have used a photograph of bars combined with an illustration to make it appear as though the elephant is trapped and caged.

Left: The original photograph.

Below: The manipulated imagery.

These images reflect the trauma of the Asian elephant when faced with threats from the human race. Rather than elephants being physically caged, my intention is for the cage for be a symbol of how such a large animal is made to feel demoralized and trapped in a number of ways. This could reflect on how elephants are used within the tourist industry in Thailand or even how they are kept behind the scenes of a circus. 

Intentionally, the elephant appears vulnerable and lost. Perhaps this is the only elephant left before they become a long lost memory into extinction? The red hues reflect violence and danger, a sense of darkness which is the elephants impending fate.

Using the same elephant illustration, I superimposed the animal into a forest scene. The forest scene is manipulated from a primary source photograph and put into a new context. The in the left image the elephant seems vulnerable in its own habitat whereas in the right image the elephant seems to be fading away. This sense of fading reflects the threat of extinction through habitat loss. Whilst the habitat is replaced and preserved, the elephants and forced to survive elsewhere, or not at all...

 Using an ink illustration, I thought about a comment I had during the formative assessment- why not add a background? Whilst I feel white space encourages the viewer to pay closer attention to the main subject, I decided to use a primary source landscape photograph to provide a sense of context to the image. The darkness of the landscape highlights the elephant slaves whilst the red tones in the sky imply a sense of danger and foreboding. Where are the elephants being taken? What is their fate?

These illustrations were manipulated in Photoshop and given a simple forest-like background. This background was painted digitally and fills out the image.

Overall, I believe these experiments were a success in how they reflected the threats of extinction and providing imagery which is more thought-provoking for the viewer. The colours are vivid and the use of photography brings stronger compositions. However, the manipulation in Photoshop can appear over-worked so it could it effective to replicate similar imagery in traditional media.

Development of Gif Animations for Campaign Advertising

After my initial experiment with Gifs in an earlier post (see here) I decided to explore this further in Photoshop as opposed to using an online generator to create my gifs:

I chose to use  a simple slogan 'stop the cull' which I have previously included in previous campaign poster designs about badger culling. Keeping the font and colours the same for simplicity works well and gets straight to the point. 

As I felt the previous gif wasn't smooth as an animation, I wanted to break the text down so it flowed better.

To create this animation, I saved each frame at different points adding one letter per frame giving the illusion that the text is being written. In total 11 frames were used to make this gif.

The same technique in Photoshop was used here though I added more frames (71 in total!) by including some experimental artwork that I had created. Changing the opacity allows a smooth transition into the next image. 

Photoshop screenshot of frames used to create gif animation

Although this implies that it is advertising against the cull, it would not work in a realistic advertising scenario as more information needs to be included. This gif explores the techniques which may be used in the animation to portray numerous images simultaneously. 

Personally I believe these techniques have worked effectively and make the illustrations more aesthetically appealing to the audience. Movement in the animation will capture the attention of the viewer for much longer than a still illustration as the changing images make it more interesting. More professional elements could be added for an advertisement against badger culling and perhaps a narrative of the badger cull could be portrayed to demonstrate the effects of the cull and why the audience should appeal against it.

Experimenting with Advertising and Gifs

Original charcoal sketch

Using an original charcoal sketch I developed the initial idea into an ad campaign designed for billboards. This was based on the fact that during the cull, the aim is the cull 70% of badgers. Therefore I chose a simple idea to get straight to the point and convey the message to the audience.

Animated Gif

I believe is effective for showing the capability of what I could achieve through using a gif format. It instantly brings my illustration to life and makes it visually more appealing. More frames should be used to create a smoother animation and the text could be gradually written rather than appear as one block.

Manipulating the Landscape (Photoshop)

 

 

After manipulating several primary source photographs in Photoshop, I felt that the outcomes were much stronger than the original imagery. As a general for most, I chose to define the urban landscape in black and white tones whilst keeping the natural aspects of the landscapes in colour, often bright and bold to emphasise the importance and beauty of nature. 

When vivid tones are used in unconventional ways, I believe this is when the images are most influential and strong. I hope to bring forth the importance of nature through tones in these images which I think I have achieved for some. In particular the 'Four Trees' images are very effective and while the trees are initially in the background, through the use of bright tones they are more prominent in the foreground, pushing the urban landscape into the background. Visually, this is what I have been wanting to achieve and believe that through development I am starting to portray my initial intentions.

A Collaboration of Two Taylor's Make 'TAYLOR MADE'

Logo design created by myself. Digital in Photoshop

I am very excited to announce, to all those who are not yet aware, that I have recently become part of a collaboration with a very talented local photographer of West Yorkshire, Alex Taylor. We have named our collaboration 'Taylor Made Arts' due to our shared surnames of 'Taylor' (coincidentally the same might I add and not related!).

Since we began in July 2014, we have produced several works based on the idea of combining two different practices, photography and illustration to create new and unique imagery. Photography and illustration has been combined many times before, but I would like to emphasize how the local imagery and illustrative style of Taylor Made is completely fresh and innovative.

We are very proud of what we have achieved so far! Here are the stages of the process we took to create our very first image:


Step 1: Photograph

Alex, the amazing photographer of 'Taylor Made' captures the local scenery in West Yorkshire through his lens.

For our first image, I was allowed choose an image from any of his existing photography - one lucky illustrator! Therefore, I chose a beautiful image named 'Blue Bell Birch'. Vibrant tones particularly stood out to me, I couldn't wait to illustrate the image!

Alex Taylor's, 'Blue Bell Birch'

Step 2: Illustration

This is where my role in the collaboration begins: the illustration.

The technique I chose for this piece was mono-printing with acrylic to mimic the vibrancy of the blue bells in the original photograph. Then, I added in more detail with charcoal to bring out the features of the tree trunk. The contrast creates a strong illustration but more importantly I have not just copied the image, I have re-invented it with the choice of media and style.

Blue Bell Birch, illustration by Carla Taylor

Step 3: Merge

In the final stage, the original photograph and illustration are merged in Photoshop to create an entirely new and unique image. Here I demonstrate the process which I undertake to create this new work of art:

Open photograph in Photoshop (CS6)

Scan in illustration and place over the photograph (file-place).  The opacity was reduced to reveal part of the photo, then the image was rotated to align the tree trunk in both the photo and illustration. 

Creating a layer mask allows that particular layer to be manipulated. This allowed me to use the gradient tool to fade in the edges of the illustration to create a softer look.

Using the curve layer, I altered the brightness and contrast until I was happy that the two images merged together effectively.

Finally, reducing the saturation made the tones softer and subtle.

Final Image

And there we have it, Taylor Made's first ever image! I hope you enjoyed learning about the process in which the final image was created.

In general, this is the main process that is followed with each Taylor Made image, though of course the imagery can change including the way the illustration and photograph are merged in Photoshop. I can only speak about the illustration and merged image in regards to how they are made, though I know Alex will also use his creative eye to create unique and captivating imagery.


Personally, I am very excited about the upcoming projects for Taylor Made though I am proud of what we have achieved so far. Have a look at ALL of Taylor Made's artwork so far on our Facebook page and follow us on Twitter.


There is more to come!



Thanks for reading,

Carla

Biomimicry in Watercolour

Using the loose technique of watercolour I had adopted earlier in the project, I used this to re-invent previous known products and inspirations of biomimicry. I decided to illustrate previous inventions of biomimicry in order to 'celebrate' the innovations we already know, or may not be aware of, so that the future of biomimicry can be supported and admired as a process of innovation.

Nature has inspired and keeps on inspiring innovations with a title of biomimicry, and I feel that it is important that everyone understands how important nature is as part of the future of innovation.

Here are some initial watercolours inspired by various inventions of biomimicry:


The Wright Brothers invented the plane in 1903 after studying the movement of birds, in particular turkey vultures. This phenomenon has enhanced transport centuries later, all studied from the movement of birds in nature.

The Wright Brothers invented the plane after being inspired by a turkey vulture.

The 'Flex-Foot' was invented by Van Phillips in 1984 after he lost his foot in an accident at just 21 years old. Today, the 'Flex-Foot' is used by 90% of Paralympian athletes therefore I have illustrated this innovation in watercolour as a 'celebration' of biomimicry.

Van Phillips invented the 'Flex-Foot' after being inspired by the hind legs of a cheetah.

The Eastgate Centre in Harare, Zimbabwe was designed by architect, Mick Pearce after being inspired by termite mounds which use a complex ventilation system, enabling natural air conditioning and heating of buildings without installing costly systems.

Mick Pearce inspired by termite mounds for his design of the Eastgate Centre, Zimbabwe.

After showing these illustrations at my formative assessment, the tutor, Christian Lloyd, suggesting that they could be a lot more abstract and less literal to become more effective as stand alone pieces. The paper was also an issue of quality, so for future watercolour paintings I will use watercolour paper as it can hold the colour and water better than standard cartridge paper. It was also suggested that I look at some more watercolour artists to gain inspiration and knowledge about current trends in watercolour illustration.

Photoshop Manipulation

Putting the cheetah/ paralympian watercolour image in Photoshop allowed me to define the line and brighten the tones to make it stand out more. However, manipulating the image this much has made the watercolour lose its subtle edges and blending of tones.







Using Photoshop, I was able to create a larger image with a mixture of all 3 images. To create this, I used the layer mask tool so I could overlay a gradient over the layers to make them blend into each other. This could be used as a mural in the 3M Buckley Innovation Centre, printed on a large scale and placed on the wall as a mural sticker so the watercolour wouldn't lose its subtlety.

Photography Edits in Photoshop

Using Photoshop, I manipulated my primary source photography to alter the tones which give different moods, almost changing the context of the natural form.

Whilst these Photographs above are of the same plant, they are captured and edited in unique, innovative ways. The image on the left presents a calm atmosphere with the orange tones, hinting at a morning sunrise. The image on the right is darker and appears more mysterious. The sharp white of the plant cuts through the darkness, creating a strong image.

The image above is more simplified with its black and white tones. The plant almost imitates a 'scribble' in the air. I love the natural delicacy in all of these images which the camera has captured. The different colours emphasise a variety of moods which the viewer can interpret.

On my venture to Castle Hill, I actually found and photographed some burr plants which were initially used by George de Mestral to inspire him to create velcro. It was intriguing to see them in person as when I photographed the oddly shaped plants and edited it in Photoshop, it gave a sense of futurism. Even the background gives a sense that they are on another planet.

These images are cropped versions of the original close up dead flower which was photographed indoors. The pink is natural and unedited whilst the blue tint on the left image gives a more subtle hint of tones and a greater sense of elegance and calm.

Simply rotating an image proves to be effective as this one imitates a flame, when in fact it is a leaf. Changing the colour to reflect its new shape instantly puts the natural leaf in an entirely new context.

The edit of the left highlights the line in the image, framing the individual petals. This was created using a gradient filter in Photoshop. The photo on the right is more natural looking, it almost appears at though a bright morning sunrise is shining down onto the petals, highlighting their beauty.

I believe that editing the photographs was a success, there a some new innovative approaches to standard photography which are unique and re-contextualise some of the nature. This kind of approach could be adapted to traditional media artwork inspired by this photography.